Am 20.11.2026 (Digital) bzw. 05.02.2027 (Physisch) erscheint eine neue EP der Nashville Alternative Country Institution Lambchop. Auf „Demoed“ tritt Kurt Wagner vom Mikrofon zurück und versammelt ein All Stars-Lineup, das Songs aus seinem im August erschienenen, jüngsten Album „Punching The Clown“ interpretiert.
EIn Album, das für nicht wenige Medien und Musiclovers da draußen bereits jetzt als heißer Kandidat fürs Album des Jahres gehandelt wird. Jetzt gibt es soszuagen den Nachschlag.
Und das kam so: Gitarren-Demos aus den „Punching the Clown“-Sessions gingen an MJ Lenderman, Circuit des Yeux mit Alan Sparhawk, Channy Leaneagh, Dan Wriggins, Lauren Auder, Flock of Dimes und More Eaze, die diese Songs an seiner Stelle singen.
Mitwirkender Andrew Broder nennt es „einen Remix, aber rückwärts“: keine Coverversionen, kein Tribut, sondern Lambchop-Songs, bei denen der Fokus auf den Songs statt auf dem Frontmann liegt.
Die erste Auskopplung aus der EP ist das Stück „Weakend“ in der wundervollen Version von MJ Lenderman – überdies scheint uns dies der perfekte Moment, um die Leute an das wunderschöne Album „Punching The Clown“ zu erinnern – wir erwarten ein paar (wenn nicht sogar viele) Lobeshymnen zum Jahresende für das Album; einige große britische Magazine haben diesbezüglich bereits in unsere Richtung gewunken – daher ist diese EP sozusagen das Tüpfelchen auf dem i für die Lambchop-Kampagne.
Kurt Wagner führt aus: I never knew what Herman Melville looked like until I was in high school. I just saw a picture in lit class and that was about it, nice beard. Prior to that what Herman looked like was really not essential to my understanding or enjoyment of Moby Dick. It was distracting at best. I thought the work was the important thing. I mean, I still don’t know what Renoir looked like but I bet he had a great beard. Great painter.
I used to fantasize that lambchop would continue as an idea well beyond my participation. Over time we’ve had at least two generations represented. A third now is beginning. And this is important to me, having the unique perspective and contributions from younger artists steering in the work we make. So i thought it would be nice, someday, that i might even step aside to watch and advise from the wings. Having a beard was never considered, but here we are.
This is to say that my idea of moving forward — aging with dignity — involves my disappearing from the notion of being the “dude,” the ego, entity, personality, figurehead, selfie guy, brand image. Who I am physically and how I appear becomes irrelevant. Allowing the concept and work to be the focus. My participation isn’t really necessary in the final presentation. Song writing, “the song” implicitly allows for such a thing, or at least it did before pop culture insisted that it be part of the package. I mean, I get it, why that is and the way things are, but I’ve alwaysfelt it doesn’t have to be so and there’s centuries of precedents to back this up.
Exhibit D: Andrew came up with the idea for a supplement to the new record. To ask artists we admired as both artist people and with unique voices to sing along to the initial guitar demos replacing me, thereby putting emphasis on their voices and the songs rather than my persona’s participation. A remix but backwards. Let’s admit it: Neil Sedaka was kinda goofy, but he sure could write a tune. I’m no Neil Sedaka but I sure can be goofy.
We made a list of people to ask and sent them the demos along with the finished Punching the Clown album. We asked them to keep it simple and not over think it, to keep it in the spirit of what a demo might be. Like a sketch for a painting, a demo. Sometimes they added other elements furthering their artistic involvement. It was their choice, their reaction to the premise and the tune.
Looking at it now, it does seem like one of those tribute records that happen after an artist dies or needs to raise funds for an operation or medical treatment. But I assure you, I am very much alive and all over what you hear here. Unlike cover versions of our songs, these are songs we made — I’m just not the singer. Jake, Haley, Alan, Channy, Dan, Lauren, Jenn, and Mari are.
„Demoed“ ist via City Slang ab dem 20.11.2026 digital erhältlich, auf Vinyl ab dem 05.02.2027.
Vorbestellungen unter: https://lambchop.lnk.to/Demoed_Buy
12.02. Hamburg, Christianskirche
13.02. Berlin, Passionkirche
14.02. Erlangen, Markgrafentheater
16.02. AT-Wien, Theater Akzent
Text:Pressemitteilung